Ruth Wilson You’ll return to the London stage as the tragic heroine of Jean Cocteau’s heartbreaking story, The Human Voice, in which a woman fights for the man she loves.
The actress told me in September that she had plans for a play for 2022 but declined to reveal the name of the play.
I can reveal, however, that Wilson will star in Ivo van Hove’s adaptation of the 1930 Cocteau audio play about a one-sided telephone conversation of an abandoned woman, as she pleads with her former lover not to marry another woman.
Ruth Wilson (pictured) will return to the London stage as the tragic heroine of Jean Cocteau’s heartbreaking story, The Human Voice, in which a woman fights for the man she loves.
The on-screen monologue, starring Tilda Swinton (pictured) in a version directed by Pedro Almodovar, can also be seen, set in a luxurious Madrid apartment.
Wilson, Van Hoff and producer Sonia Friedman started talking about the idea of making The Human Voice several years ago, when the actress appeared – in blisters form – in Van Hoof’s contemporary production of Ibsen’s Hedda Gabler at the National Theatre.
The Human Voice will begin performing at the Harold Pinter Theater in early spring.
Van Hoof gave his first performance of Cocteau in Amsterdam in 2009. It has since been shown in New York, Dublin and Sydney.
The monologue can also be seen on screen, starring Tilda Swinton in a version directed by Pedro Almodovar, and located in a luxury apartment in Madrid.
Wilson (pictured) will star in Ivo van Hoof’s adaptation of Cocteau’s 1930 audio play about a woman’s telephone conversation as she pleads with her former lover not to marry another woman.
The Human Voice will begin performing at the Harold Pinter Theater in early spring. Pictured: Tilda Swinton starring in the short film version of The Human Voice
Wilson has had huge success on television, playing great roles in The Affair, Luther, His Dark Materials, Jane Eyre, Small Island, and Mrs Wilson; And on the big screen – in Dark River, The Little Stranger and Saving Mr Banks. (Her latest work, True Things, will be released on March 11th.)
But she is breathtaking on stage. She received two Olivier Awards in three years for her performances in Anna Christie and A Streetcar Named Desire, both directed by Rob Ashford in Donmar Warehouse.
Why did Camille call Kelly Cold on Lady Gaga?
French actress Camille Cotten wasn’t surprised when Lady Gaga meant to her on the set of the new movie House Of Gucci.
Cotten said they were playing their love affair, and it was “definitely a character.”
But she was beautiful, because she was a double person. She bowed and said, “Okay, I’m in character. You are so beautiful. Now let’s stop talking.”
‘She was obviously focused on who she’s playing,’ Cotten told me when we discussed her role in the film, as Gaga provides a gun-packed portrayal of Patricia Reggiani, who is serving a prison sentence for hiring a hitman. For the murder of her ex-husband Maurizio Gucci.
Camille Cotten (pictured) wasn’t surprised when Lady Gaga was mean to her at the House Of Gucci collection. Cotten said they were playing their love affair, and it was “definitely a character”
In Ridley Scott’s movie, which opens today, French actress Coutin portrays Paola Franchi (pictured), the Italian designer and artist for whom he left Maurizio Patrizia.
In Ridley Scott’s movie, which opens today, Cotten portrays Paola Franchi, the Italian designer and artist for whom he left Maurizio Patrizia.
There is a clear class division between the two women. One of the best scenes is when Patrizia and Paula meet on the ski slopes. It’s an icy showdown in every sense of the word.
“The important thing is to understand that Paola came from Maurizio’s world, different from Patrizia’s world,” she said.
She could not bear the same humiliation. Maurizio with a woman who understands him, and has the same references.
Her Paula may be cold and arrogant, but Cotten personally is a deliciously cheerful one. She attributes this to being “a big fan of English humor”.
“It’s infinite and funny — and it goes far beyond French humor,” she said. She allows herself to be more blunt, and louder.
“While the French, though pretending to be liberated and free…”
Cotten said Gaga was focused on who she was playing in the movie, which sees Gaga make a dazzling portrayal of Patricia Reggiani (pictured)
Cotten is in the UK at the moment, filming the latest series of Killing Eve with Jodie Comer. She plays Helen, also known as the Duchess of Crime and is one of The Twelve
Then she monitored herself. “I think the British could be crazier,” she concluded. Cotten is a lover of the English language.
She lived in South Kensington for five years, from the age of 12, with her mother, sister and stepfather, attending school and hanging out in Camden Town and on Kings Road.
‘You want to be wild in London. This is the city that inspires you to live at night and try new things. There is a free spirit! She said she is a mother of two who lives in Paris these days.
However, she is back in the UK for the time being, to film the latest series of Killing Eve with Jodie Comer.
Cotten plays Helen, also known as the Duchess of Crime. She’s one of The Twelve – the assassins who made up the visibly dirty Dozen Incorporated.
Cotten has filmed several French feature films, but has recently appeared in more Hollywood films, including House Of Gucci and Stillwater, with Matt Damon.
Cotten has filmed several French feature films, but has recently appeared in more Hollywood films, including Stillwater, with Matt Damon.
Cotten will always be associated with a Netflix goldmine on a show, Call My Agent, in which she excels as the complex and committed actor’s agent Andrea Martel (pictured)
To me, though, you’ll always be associated with a Netflix goldmine in a show, Call My Agent, in which you excel as the complex and committed actor Andrea Martel.
A cinematic version is being developed, though Cotten cautioned that ‘if they don’t come up with something that makes them happy, they won’t. It’s reassuring that they work from that perspective’.
In France, she is also a famous theater actress; She does not rule out walking on planks here.
She told me that she sat next to National Theater artistic director Clint Dyer (his film about Roy Williams’ National Play Death of England: Face to Face is now showing on Sky Arts) in a production of “Milky Way, with Michael Sheen.” I think she meant rarer milkwood.
“I’d like to find something to do with Clint Dyer at the National Theatre,” she told me. Then he added more firmly: ‘This is something that could happen. It could.’